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Thomas Helbig’s abstractions strive to capture the essence of power. Within his raw canvases, Helbig alludes to the unwieldy forces of nature, and the representational modes used to harness its vastness. Stylistically, Helbig recycles art [url=http://www.mquin.com/giuseppezanotti.php]giuseppe zanotti sneakers[/url] history, [url=http://www.mquin.com/giuseppezanotti.php]giuseppe zanotti pas cher[/url] implicating visual language as reflective of ideology: from the political subtexts of abstraction, to the religious spiritualism of romanticism. In Seele, Helbig creates a field of high drama, his blacks and blues churning with the unpredictable depth of night. Reminiscent of Turner’s climactic impressionism, Helbig’s Seele suggests both haunting landscape and stormy psychology.Thomas Helbig’s Wilde Mit Spiegel sets up a questionable allure, positing the perception of beauty as a consequence of excess. Hidden within an [url=http://www.rtnagel.com/airjordan.php]jordan pas cher[/url] abstract field of wild brushwork and gory splatters, Helbig paints a figure, profiled as grotesque caricature. His Holbien-ish shrew is defined by her painterly construction, the mimetic qualities of the media bubbling as boils and warts, crackling like matted hair; above her head a chandelier of gobby yellow suggests tarnished [url=http://www.sandvikfw.net/shopuk.php]hollister outlet sale[/url] halo. To the left, an orange vignette doubles as figurative mirror and comic speech bubble brandishing a sketchy image of pleasantry.
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