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beioiog7y3l
Wysłany: Śro 2:56, 25 Wrz 2013
Temat postu:
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beioiog7y3l
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Temat postu: tiffany outlet Glass and Glazing The History of T
One of the most striking features of early Renaissance domestic architecture was the window, especially the large bay, which, introduced towards the close of the fourteenth century and increasing in size until the time of Henry VIII., was externally a commanding feature, and internally lent variety and interest to the hall or chamber it lighted. The living rooms of the early Renaissance were almost too well lighted and aired, so that Lord Bacon protested against the " fair houses so full of glass that one cannot tell where to become to be out of the sun or cold." [url=http://www.mxitcms.com/tiffany/]tiffany outlet[/url]
Until the reign of Henry VIII. Glass, except in churches and gentlemen's houses, was a rarity, horn [url=http://www.davidhabchy.com]barbour outlet[/url] or framed blinds of cloth or canvas called fenestrals being used instead. By the close [url=http://www.mansmanifesto.fr]doudoune moncler homme[/url] of the sixteenth or the beginning of the seventeenth century, glazing cheapened, and became so plentiful in the reign of Elizabeth that horn was "quite laid down." It [url=http://www.achbanker.com/home.php]www.achbanker.com/home.php[/url] was still, however, carefully preserved, and as late as 1567 removed from Alnwick Castle when its owner was absent lest it should suffer from "extreme winds." Different qualities of glass were imported: "some brought out of Burgundie, some out of Normandie, much out of Flanders, besides that which is made in England, which would be as good as the best, if we were diligent and carefull to bestow more cost upon it."
In 1613 a Booke of Sundry Draughtes iron. Diamond panes and intricate variations, such as Gedde illustrates, were in general use up to the latter part of the sixteenth century, but in the seventeenth century squares or oblongs were used. Open work quarries of cast lead for ventilation were occasionally introduced among the glazed panes. They occur at Hampton Court and Haddon Hall, and fragments of such lead work have been found at Fountains Abbey. [url=http://www.maximoupgrade.com/hot.php]hollister france[/url] It is a device that might well be revived both as providing an inlet of air, and for its decorative effect against the light.
The bulk of the quarries were filled with white glass, since the admission of light was a prime necessity. So large, however, was the glazed surface, that small panels in coloured glass could be glazed into the quarries without rendering the interior unduly dark. The insertion of coloured glass often took the form of a panel depicting an escutcheon or family badge, while the motto of the family was sometimes repeated in diagonal lines, as the Norreys motto in the hall windows at Ockwells. The effective composition of the royal arms with supporters and mantling was often inserted by loyal subjects in their windows. In the early period under Italian influence' the ornament [url=http://www.1855sacramento.com/moncler.php]moncler outlet[/url] consisted of scrolls, candelabra, and grotesques.
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In church windows there was [url=http://www.sandvikfw.net/shopuk.php]hollister sale[/url] a revival of the art of glass painting towards the close of James L's reign, and a certain number of Low Country- glass painters settled in England, among them Baptista Sutton and the two van Linges, whose work is seen in Oxford Colleges. The east window of Wadham College Chapel was glazed by Bernard [url=http://www.vivid-host.com/barbour.htm]barbour uk outlet[/url] van Linge, a Frieslander, and in this instance not only the executants, [url=http://www.thehygienerevolution.com/barbour.php]barbour paris[/url] but the pot metal was imported from abroad.
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