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Wysłany: Czw 14:37, 03 Paź 2013
Temat postu: dress moving to Merstham Daily Echo
dress moving to Merstham Daily Echo
She moved to Surrey from Derbyshire in 1996 to take one of six places on the prestigious three-year Apprenticeship at the Royal School of Needlework (RSN), Hampton Court Palace.
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She said: "I had the chance to work on a hugely varied range of commissions including the new curtains and pelmet for the restored Royal Opera House,[url=http://parajumperssalenorge.albirank.net/][b]Parajumpers Jakke[/b][/url], the Jubilee Hanging for Buckingham Palace, and
embroidered monograms for the album cover of Sir Paul McCartney's classical work, Ecce Cor Meum."
She said: "I also specialised in the conservation of antique christening gowns and wedding veils, and in tutoring whitework embroidery."
Married to husband Wayne, in conjunction with her RSN work,[url=http://woolrichoutletde.albirank.net/][b]http://woolrichoutletde.albirank.net/[/b][/url], she has followed a freelance career as an embroiderer and tutor.
Now, with a three-year-old daughter, they have decided to move to Merstham, and plan to build a studio at home from which Jenny will teach specialist embroidery.
Jenny is part of a bank of skilled RSN embroiderers who can be called on at any time to work together seamlessly on large commissions.
She said: "It was no surprise therefore to be called recently to assist in producing a quantity of finely embroidered lace. " But she added: "It was a delight when it gradually became clear, from
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She said: "The team have been working locked away in the studios at Hampton Court Palace, unable to tell a soul - including my husband - the slightest detail of our work.
"We had no idea who the designer was until the last minute.
"It was no surprise however to discover that it was a Sarah Burton creation, as the dress carried her trade marks, exemplifying the highest level of British design and craftsmanship."
Jenny said: "The lace design and process was influenced by traditional Carrickmacross lace, which originated in Ireland in the 1820s." She said Sarah Burton sourced a series of lace motifs for The
Duchess of Cambridge's dress which could be combined together to form an original design reminiscent of Carrickmacross, which included shamrocks, thistles, daffodils and roses, to represent the
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pristine, needles were renewed every three hours, and only short lengths of the fine thread were used, each no longer than 30cm.
"Also, to maintain an even appearance, no securing knots were used, and it was important that the back of the work looked as neat as the front, another RSN hallmark."
The team for the project comprised RSN Studio staff, former staff, tutors,[url=http://parajumperssalenorge.albirank.net/][b]Parajumpers Jakke Outlet Salg[/b][/url], graduates and current students from the RSN's Certificate, Diploma and Foundation Degree programmes.
They combined with the late designer Alexander McQueen's couture team.
Jenny said the finer details of producing the dress are being kept under wraps for now,[url=http://woolrichparkaschweiz.albirank.net/][b]Woolrich Online Shop[/b][/url], but Clarence House is planning to put the dress on public display soon, allowing everyone to view its
intricacies at close hand.
She said: "It has been a fabulous experience to assist in the creation of a dress of such national importance, which thoroughly endorses the skills and training of British craftspeople, and of the
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"We can only hope that this project will help to aid awareness of the wealth of UK professional craft skills and training possibilities, thereby helping to reinvigorate the British industry." For
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