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Wysłany: Pon 6:01, 19 Sie 2013
Temat postu: 'Points of Entry' Puts Viewer In Shoes of the Immi
'Points of Entry' Puts Viewer In Shoes of the Immigrant
The images in "Points of Entry" - a sweeping photographic show on display at Miami's Museum of Art through Nov. 30 - invite the visitor not simply to observe and ponder,
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The historical scope of the show's 370 documentary images is breathtaking.
But its power comes from the fact that it explores three facets of the immigration saga rarely seen together: the story of the diverse routes taken to reach American shores, the immigrants' views of of their new home,
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" 'Points of Entry' " suggests a longer view of things," says Terence Pitts, one of the three curators of the exhibition.
Navigating through the tapestry of images and emotions makes it clear there is much more to immigration than dates, numbers,
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Immigration,
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The three-part exhibition is a collaborative effort by three prestigious West Coast photo institutions.
"A Nation of Strangers,
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Spectrum of humanity
"A Nation of Strangers" takes us through the whole spectrum of humanity flooding into America. In this patchwork of exotic colors and costumes, in this swirl of emotions, questions about when these people came,
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, and why they came aren't what matter. What counts a lot more is the intimacy of the children and families who packed their bags and came here and the toll in human anguish brought on by their journey.
"We need to put forward the idea that immigration is a shared experience,
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," says Lorrie Mertes, an assistant curator at the Miami show. "Immigration is an ongoing story in a country's history."
This tapestry of tales and experiences speaks to the universality of immigration.
It also provokes outrage. "Native of the soil, Arouse!" exhort self-proclaimed "natives" in a poster dating back from the mid-1800s, which warns about the "Ruinous Influence of Foreign Immigration on American Labor."
Like the poster, many images in "A Nation of Strangers" testify to the government policies and the national moods that,
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